March Dance 2023 Workshops: Improvisation & Reconstruction

Improvisation Workshop: Towards Collective Creation
Date and Time: March 15-16 & 20-24, 3-7pm; public sharing on the 25th at 6pm.
Venue: Goethe-Institut /  Max Mueller Bhavan Chennai.
Application link: https://bit.ly/3RRsDPo
Last Date: March 5, 2023

Registration fee: INR 5000

About the workshop: How do we see the role of improvisation within a creative process? In what ways can one’s individual practice make space for moments when we might surprise ourselves, look beyond knowledge that is taught or passed down to us?

In this year’s improvisation workshop at March Dance participants will derive graphic scores, using certain interdisciplinary terms. In the end, they will arrive at a collective performative outcome. Over 7 days artists from multiple disciplines will seek to establish a democratic, cross-disciplinary modality of ‘making’ – with clear parameters, yet without rigid boxes. The workshop references, among other inputs, ‘Turtle Dreams’ by Meredith Monk, as a way to imagine new possibilities within an interdisciplinary approach to performance.

The public sharing on the 25th will be followed by a discussion with a group of invited respondents.

About the facilitators: Pravin Kannanur is an artist conversant in several disciplines, working predominantly in Tamil theatre and the visual arts. He is a founding member of the theatre company Magic Lantern and the theatre collective India Theatre Forum.

Maarten Visser is a saxophonist and composer based in Chennai. He works with sound and contemporary music, often through improvisation. Over the years he has written original repertoire for MV3, oto.3 and Many Things. He runs a weekly jazz workshop in the city.

Maarten and Pravin have been facilitating improvisation workshops for the last 10 years, for artists from multiple performance disciplines. Both of them are founding members of the art collective Basement 21 and have had a long history of working with contemporary dance in Chennai.

……..

Reconstruction Workshop: Chandralekha Textbook 2 (Prana)
Date and Time:
March 13-18 & 20-23, 9am-1pm; public sharing on the 24th at 7pm.
Venue: SPACES, Besant Nagar, Chennai.
Application link: https://bit.ly/3XxB0RH
Last Date: March 5, 2023

Registration fee: INR 5000

About the workshop:

Prana (1990)

“The dance explores the relatedness of breath and movement; a journey towards recovery of breath.The choreography is based on the multi-centred space concept of navagraha iconography. The work is an attempt to return to dance – and to our beleaguered lives – its lost breath.”  – Chandralekha

It feels not just urgent but imperative to revisit this specific work at this time. Yet, how does one ‘reconstruct’ or even investigate the corporeal materials of a choreographer who wanted to leave no legacy? This workshop for March dance 2023, will ask questions and look at principles, in the spirit of Chandra herself. A collective looking back without a sense of nostalgia or sentiment. But rather out of a need to take a hard look at who we are as dancers today.

The ten-day workshop will be followed by a public sharing at Mandala in Spaces, where the work was originally conceived and created. The public sharing on the 24th will be followed by a discussion with a group of invited respondents.

About the facilitators: Meera Krishnamurthy, Krishna Devanandan and Padmini Chettur each worked with Chandralekha for a decade or more, and have performed the work Prana. In very individual ways, the questions that Chandralekha’s work held continue to echo in their practice, pedagogy and lives.

Encounter 15: Indeterminacy: Ideas, Stories, Experiences (2022)

INDETERMINACY: IDEAS, STORIES, EXPERIENCES

Date & Time: 26 November 2022, 10:00-17:00
Venue: Goethe-Institut / Max Mueller Bhavan Chennai
All are welcome

Indeterminacy is a composing approach in which some aspects of a musical work are left open to chance or to the interpreter’s free choice. Also known as ‘chance music’, and populated by John Cage in the ’60s, its legacy is today widely used across art forms as a way to create multiple outcomes out of a singular proposition.

In this workshop led by American composer and pedagogue James Bunch, we’ll explore some of the theoretical as well as practical modalities of this genre of ‘making’.

Beginning with ‘sound transplant’, an impromptu cell-phone sound installation, moving through personal stories and experiences of conceptual art, the day will end with informal sharings of indeterminate works created and rehearsed by the workshop participants.

James Bunch is a composer, performer, conductor and concert organizer living and working in Chennai. He has been teaching composition at the KM Music Conservatory for 8 years. http://www.jimmibunch.com/

Encounter 14: The Art and Craft of Improvisation / Improvising with Escher (2022)

THE ART AND CRAFT OF IMPROVISATION / IMPROVISING WITH ESCHER

Date & Time: 29 October 2022, 10:00-16:00
Venue: InKo Centre, Chennai
All are welcome

Chennai-based artists, Maarten Visser (musician/ composer) and Pravin Kannanur (visual artist/ dramaturg) come together to guide an experiential study of two selected works of Dutch graphic artist M. C. Escher. Building on their earlier work to devise and guide improvisation based on interdisciplinary elements and terms, Maarten and Pravin present Encounter 14 – Improvising with Escher, a workshop that draws from Escher’s mathematically-inspired woodcut, ‘Metamorphose’ and the lithograph ‘Three Worlds’ to open up an array of perspectives for the performer. In the process, M. C. Escher’s art of transformation, metamorphosis and relativity becomes a creative exploration for the participant.

Contemporary Compositions In Sound By Maarten Visser

Maarten Visser has been part of the experimental trio oto.3 since 2011. oto.3 brings together the sound work Maarten has been doing and his improvisational music through a music-web-space created by drummer Robbert van Hulzen. Here are some of their live-sessions as well as a few of his completed productions through oto.3.

“…Maarten Visser organizes the structures, ideas and developments in sound, and works them out with electric bass violinist Holger Jetter and Hulzen. the music they create together they create offers ample space for the musicians to make their own musical plan, manipulate the score, improvise.” – from oto.3.

“The music of oto.3 is based on sound – rather than rhythm, harmony, melody – it is music with a constant tension between sound and silence, notes and noise, between structure and freedom.”

Maarten’s oto.3 creations (albums) are available at

https://soundcloud.com/oto-3-1 and

https://soundcloud.com/oto-3-1/oto-3-nanis-tapu.

B21 Improvisation – A Review

Madhushree

“Preethi pulled Chandana into her circle of obsession and in turn acquired Chandanas’s stable serenity. She countered Chandana’s proposition of an abstract definiteness with a frenzied narrative of familiar gestures”… it was when I wrote this line I simultaneously realized that I was increasingly sounding like a football commentator gone slightly askew in her mind, and that it was really three whole hours that had passed since I came in. It was not an extremely intense technique-based three hours. Rather cornily, it felt like a fun time that allowed both a bit of work and a bit of gobbledygook, and finally seemed to get over before one would like it to. The genre of fun might have had a shade of the obscure, or more appropriately a hint of uncertainty. But that might have been the whole point of the session –one that probably made each participant think, search and improvise beyond the grids of the auditorium of the Alliance Francaise of Madras.

continue reading